Elaine joins New England Symphony for a program that features selections by some of the great composers of the Baroque period, including J.S. Bach, Antonio Vivaldi and Georg Phillip Telemann. Mechanics Hall composer in residence Leonardo Ciampa is also writing a new piece inspired by the music of the Baroque and featuring the chorus and soloist, along with the orchestra.

Elaine joins Coro Dante for a concert of Vivaldi’s Gloria and traditional Italian carols

Elaine joins pianist J.J. Penna for a performance of Messiaen’s immense song cycle, Harawi.

Elaine and pianist Anna Han perform Claude Vivier’s Hymnen an die Nacht.

Elaine joins Marcus Elliott Gaved for a performance of Kurtág’s Einige Sätze aus den Sudelbüchern Georg Christoph Lichtenbergs, Op. 37a.

Elaine joins baritone William Sharp and musicians from Yellow Barn for a performance of Earl Kim’s Scenes from a Movie, Part 1, The Seventh Dream.

Elaine performs Ligeti’s Síppal, dobbal, nádihegedüvel with percussionists Eduardo Leandro, Matthew Overbay, Sam Um, Peter White.

Elaine joins pianist Gil Kalish for a performance of Debussy’s Ariettes oublieés as part of Yellow Barn’s opening night.

Elaine performs on a program of music inspired by the centenary of women’s suffrage in the US, centered around the work of women composers, including new works by Laura Karpman and Kai-Lilly Karpman; Nora Kroll-Rosenbaum and Lynne Procope; Kathryn Bostic; and Laura Kaminsky and Leah Maddrie.

Based on the play by Jean Cocteau, La voix humaine is the story of a desperate woman on the phone with the man who has just abandoned her. The telephone becomes her last means of connection as she wavers between reverie and frenzy, rage and tenderness, trying to hold onto him.

Elaine joins pianist J.J. Penna for a staged performance directed by Joshua Major.

Elaine joins fellow Bach Institute alumni for an evening of arias and duets.

Elaine joins sopranos Tony Arnold and Lucy Fitz Gibbon and violinists Alice Ivy-Pemberton, Adelya Nartadjieva, Mark Steinberg for a performance of György Kurtág’s Kafka Fragmente.

Elaine performs Georges Aperghis’s Récitation No. 9 for Female Voice.

Elaine joins Curtis Macomber and Ayano Kataoka for a performance of Stephen Coxe’s The Very Hungry Caterpillar.

Elaine joins fellows from the Fall Island Vocal Arts seminar in a recital of works by living American composers.

New England Conservatory presents Mahler’s beloved Symphony No. 2 in a special evening at Boston’s Symphony Hall under the baton of Hugh Wolff.

Elaine joins Gil Rose and Odyssey Opera to sing Lady-in-Waiting in Britten’s Gloriana.

The beauties of the seaside, romance, and the spirit — along with some guilty pleasures too. Featuring music by Montsalvatge, Rachmaninoff, Jonathan Dove, Tom Lehrer and many others, Elaine joins Steve Blier and the Schwab Vocal Rising Stars for an exploration of intimacy in music.

The beauties of the seaside, romance, and the spirit — along with some guilty pleasures too. Featuring music by Montsalvatge, Rachmaninoff, Jonathan Dove, Tom Lehrer and many others, Elaine joins Steve Blier and the Schwab Vocal Rising Stars for an exploration of intimacy in music.

A collaboration between the Boston Symphony Orchestra and New England Conservatory, "What I Hear" is a series of free hour-long events meant to introduce audiences to composers working with the BSO. Elaine gives the U.S. premiere of Helen Grime’s Bright Travellers.

Elaine sings Ilia in Mozart’s Idomeneo with conductor Gregory Buchalter in a semi-staged production by Steven Goldstein.

Elaine joins Max Hobart and the Wellsley Symphony Orchestra for a program of arias from Faust, Rusalka and more.

Elaine joins Counterpoint Concerts for a performance of Bach’s Magnificat as well as the world premiere of Tim Hinck’s But She’s Got Eyes.

Seven strangers wait for a train and describe the contents of their luggage—a hat box, a cornet case, a cake box—but refuse to let anyone see. A charming and surreal meditation on how we long to hide, yet long to be seen.

Fully staged in NEC's Plimpton Shattuck Black Box Theatre, and featuring NEC’s orchestral players and graduate opera students, Elaine sings the Lady with a Hat Box in Dominick Argento’s Postcard from Morocco under the baton of Robert Tweten.

Elaine joins Kayo Iwama for a program centered around Korngold and his pupils, including Joseph Marx, Hans Gál, Alexander Zemlinsky and Karl Wiegl.